So I kept thinking about coming back to actually blog, but for a while my life has been in a very turbulent place and not always given to introspective reasoning. I’m continuing to work in theatre, which gobbles up large sums of time for not particularly great cash payout. I’m in a place where I may be looking for another industry soon, but we shall see what becomes of my current state at the end of my new 7 month test period.
Somehow, in all of this, I managed to find time to start writing again. This year, I wrote for NaNoWriMo. Due to a tech I was in, I started on November 16th, and at the end of the month was only 6,000 words short of the limit. I had decided to really try to power ahead on my conflicted love child, whose working title was “Peregrine” up until this point. F0r some reason, the draft began to come out incredibly well, and I forced myself to pay attention and not mess around with video games and such, to just get some real time dedicated to putting this thing together. And it worked.
For more than a decade, I have been struggling with this story. I have succeeded with several drafts, and others fizzled out. This last draft I completed last month was the most complete ever, and encapsulates a very interesting progression. Thanks to my experiences over the last ten years, I have grown as a writer, and it shows.
In high school, I had a high schooler’s mentality. While I was told I was remarkably mature for my age, things are still very simple, very cut and dry, very this and that, in high school. Drama is always present in its explosion of unseen variables and irrational reactions, but as we can only write about what we know about, you can only really write about your experience of the world in high school.
Like most kids, high school me was entirely supported and guided by my parents and school system, and thanks to the homogenous and safe nature of my home town, my experiential bracket was very limited. The only thing I knew about violence and dissatisfaction was what I saw in movies and games and how I felt when I went from being in a committed relationship to dead single.
I then went to college. With greater freedom, you can experience more. You understand what it’s like to budget your own time, to feel independent and build a schedule for yourself. You expand your boundaries. Suddenly, you start to see the world for what it is a little more. The high school mentality of “this versus that” begins to fall in favor of “wow, people do bad things for reasons, and not just because they’re Bad, or Misguided, or Evil.” Misguided in high school was only really a reskinning of Evil. You can label someone as misguided or misunderstood, but unless you explain why, there is no greater expansion on it.
And, of course, it allowed me to paint a better picture of a college girl who is genetically altered. My grasp on history and social psychology improved, and the halfbreeds, who had once been a faction of purists who had just been beset upon by moralless Neo-Nazis, started to have a real story behind them. Some of the mystery of women was also revealed to me, both in that I saw one naked for the first time in person, and that my varied friends started to paint a new picture of logic that I had once written off as “simply irrational.” Just plain saying, “Women are crazy” is like a scientist going, “Oh, the ocean is deep and dangerous. Don’t go near it.” The statement may be conditionally true, but you have to try to understand it better.
I also want to quickly elaborate on why seeing an average woman nude is important. If you base body culture on what you typically see, which is in porn stars who are more plastic than a Saturn sedan and in magazine glossies that have been painstakingly altered to be more pleasing, you lose track of what a person really looks like. What you are seeing instead are living dolls, constructed to suit an ideology which is flawed. Then, you look at a real person, who is really there and has had nothing done to her, and go, “Oh, that’s what they really look like?”
All of a sudden my female protagonist lost her oversized breasts and perfect figure in favor of something more streamlined and suitable to her athletic nature, something that was more her, something that cooperated in making her as much as she helped sculpt it. At the same time, another character who had always been particularly well-endowed suddenly was tasked with dealing with the gift-curse of having large breasts, and I was amazed to watch her embrace the issue.
Moving along…
I then graduated from college and landed in a shit economy trained in an industry you did not go into to make money. I love my work, but the stress of not getting paid on time, or not getting paid enough to cover expenses incurred by having to relocate, living in places where there were no kitchens, or merely being inexperienced in running a tight budget, is a very taxing thing. I found myself tasting desperation as well as frustration, and working in the very different place that is a city taught me a new facet of life. Nothing ever happened in my town. At college, people broke windows and screamed at each other across parking lots, got belligerently drunk and swore at people. In Boston, men and women who are suffering from mental handicaps lurk in strange places to scream and beg for money, and any dark corner becomes a place a man might suddenly step out of and demand for my wallet.
And now, the truth about misguided characters was revealed to me. I always knew that they had to have their own point of view that led them to “evil” decisions, but only now did I realize that sometimes they even realize that they’re being bad, but believe they have no other choice.
I saw how different demographics both had their glowing virtues and severe drawbacks. And I took the story thematically out of my high school naivety.
Once, Peregrine was about a girl who was enslaved by a dude just because, who was part of a species that had been attacked because people were scared about how awesome they were and they struggled to just get on with their lives. She eventually joins a group of super-secret mercenaries whose basic goal is to be the best super-secret mercenaries in known space. The original climax had to star a random baddie who had never ever showed up before, who had to be just so thickly evil that there was justification for killing him. But there was no satisfaction in that, and a lot of people weren’t as thrilled about my mercenary clans’ flawed philosophy, especially in that all of the clanfolk were blindly single-minded about their flawed philosophy.
Ten years later. I have read things I love and read things I hate and learned smaller tricks, and after ten years of beating my head against the universe, I figured a lot of things out.
The halfbreeds became douchebags. There had to be a real reason why they were attacked, and that reason was primarily because humanity felt threatened, felt like they were about to become obsolete, but the halfbreeds’ general dickishness wasn’t helping. It seeded the thought that if they did come to power that they were not going to be particularly nice to their creators afterward. Now that there were two near holocausts, they definitely aren’t in the mood to be nice, but are assholes to a fault. They certainly aren’t helping their own state.
The Clans embraced their flawed philosophies and figured out why they were mercenaries and how to be edgy without being unrealistic or particularly unlikeable. They began as the original refugees of the last holocaust, who were so paralyzed by fear that it would happen again that they made everyone a warrior, so any fool who kicked in their door would have to fight an entire family, from an eleven year old carving people up with a kitchen knife, to an old man who is still hardened and skilled enough to shoot a man without blinking. Over time, however, the refugee theme snowballed, and they became a society of people who were all thriving on a second chance that they would not have been given if one of the Clans had not shown up.
Imagine having your entire life torn apart by the gestapo or rival gangs or something, everyone you know now dead and your home burned to the ground, and a bunch of people show up, save your life, and then ask for you to come with them. You might feel somewhat endeared as well.
But lastly, the mechanical principles of writing are much clearer in my mind. It used to be all organic; I just wrote as I thought and that was it. Now, the first draft is certainly that, but by the time I’m done with it, characters have shown themselves in ways I didn’t expect, sometimes in ways that are not consistent with their earlier behaviors, and I have to go back and change things. I discovered it was very important to go back and with every scene attempt to feel out my characters’ thoughts about what was going on. Sometimes, they would answer with, “no, my younger self wouldn’t have acted this way,” or, “eh, I don’t really know if that’s what I would do.” Sometimes, I seed something that I thought would be significant, but instead of being a compelling or relateable aspect of the story, it ended up just getting in the way, with me forgetting about it half of the time, and I finally decided that it was not lending anything to the story. It’s important to trim the fat. Some details are important for a world, but there are plenty of times when you thought something was going to go somewhere and then it didn’t. That’s alright. If the aspect didn’t end up fitting in the story, you can go back and cut it back out.
I want to give two minute details that both did different things.
My main character takes a blow to the head and ends up needing glasses to fix up her eyesight, thus expanding her emotive landscape to include said glasses and perhaps alter the way people saw her.
She also understands how to speak Spanish, because large sections of her continent can speak both.
The glasses thing I ended up mostly forgetting about and there was only ever one person who was even affected by her wearing them, so I decided it was adding nothing and cut it out.
The Spanish fluency I had added on a whim, and suddenly another character, whom I was struggling to get a connection for her, busts out that he can speak Spanish and just like that, they’re bonding at a boring cocktail party. He ends up becoming quite important later on.
I often have no idea which of these ideas are going to show up and run when I put them in, but that does mean I have to accept that some of them never went anywhere and snip them back out later.
I was talking about this approach with my friend and she sort of grinned and said, “I wish more authors would do that.”